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HBO’s “Watchmen” takes on white supremacy — Damon Lindelof promises to “troll the white savior”
Those anticipating HBO’s series adaptation of “Watchmen,” the classic comic book series co-created by Alan Moore and Dave Gibbons, may have divided opinions of the 2019 version conceived by Damon Lindelof, co-creator of “Lost” and “The Leftovers.” The first episode, the…
What the Ted Lasso Way doesn’t get about women in sports
Six years ago, “Ted Lasso” reminded us that many winning TV shows are the result of the right sentiment landing at the right time — or, in this case, a terrible time. In 2020, the weight of pandemic lockdowns and…
Fauci is an easy scapegoat for pandemic revisionists
Dr. Anthony Fauci is under congressional scrutiny following an appearance before a Senate committee last week, in which the former National Institutes of Health immunologist was grilled by elected officials over his response to the COVID-19 pandemic. On Thursday, the…
“Watchmen” is a brutally provocative reckoning of alternate history
On May 31, 1921, an armed white mob poured into Tulsa, Oklahoma’s majority African-American Greenwood district and began setting it ablaze. Families were driven out of their homes at gunpoint as their neighbors looted their belongings and burned their property…
Power, respect and conscience: How the women of “Fargo” manage (up) in a man’s world
“This is not a story about a woman who made the best of traditional skills . . . This is the ‘woman’s pluck’ story, the dust-bowl story, the burying-your-child-on-the-trail story, the I-will-never-go-hungry-again story, the Mildred Pierce story, the story about…
“The Shards” is oozing with Bret Easton Ellis vibes
White drugs. Underage drinking. Absentee parents. Nonstop parties. Oh, to be a rich teenager in the 1980s, says “The Shards” in so many words. Too many, I’d say, but slapping droning voiceovers atop expository visuals isn’t for me. Piling too…
SpaceX’s rocket trashes the moon
A version of this essay first appeared in Crash Course, Salon’s free morning newsletter. Sign up for early access to articles like this, plus more of Salon’s bold journalism on how policies, movements and culture wars affect real people.
The moon has…
Why “Chef’s Table” still matters
When Netflix announced the first-ever Chef’s Table Food Festival, bringing 70 internationally acclaimed chefs to Park City for four days of dinners, demonstrations and excursions, I felt something between excitement and apprehension. The series changed the way I understood food.…
The end of looking away from violence on social media
Perez Hilton always wanted to be famous. This is a statement of fact and not meant to make light of his self-harming incident broadcast via TikTok livestream on Tuesday—quite the opposite. Videos and images of Hilton, 48, covered in blood…
Why “Revolver” still matters: The 50th anniversary of a Beatles masterpiece
Even if you scorn Boomer myth-making, the 50th anniversary of “Revolver” — perhaps the Beatles’ best album — is a big deal. It not only sent the band in a new direction, it showed new possibilities in rock music. Look…