White drugs. Underage drinking. Absentee parents. Nonstop parties. Oh, to be a rich teenager in the 1980s, says “The Shards” in so many words. Too many, I’d say, but slapping droning voiceovers atop expository visuals isn’t for me. Piling too much on too much is both Ryan Murphy and Bret Easton Ellis’ signature, however, as seen in this TV collaboration between auteur and author.

“The Shards,” an adaptation of Ellis’ 2023 autobiographical novel, rewinds to his pre-“Less Than Zero” adolescence, when he was just Bret (Igby Rigney), a high school senior in lockstep with his hedonistic friends. When they aren’t snorting narcotics, everyone but Bret ignores evidence that a serial killer is circling ever closer.

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Ellis’ eroded faith in the safety of adults is a recurring theme in his work, but “The Shards” cynically wraps that in horror, celebrity, luxury brands and needle drops like the Pretenders’ “Bad Boys Get Spanked.” Pop singer Hayes Warner portrays Bret’s girlfriend Debbie, whose father and mother (Wes Bentley and Evan Rachel Wood) share their loveless relationship with a psychosexual lich (Broadway producer Jordan Roth).

That two of Bret’s other pals are played by Cindy Crawford’s daughter, Kaia Gerber, and Richard Gere’s son, Homer Gere, is also a classic Murphy move: The offspring of previously married ‘80s icons starring in a story about the era their parents ruled? Fabulous! So what if Gerber looks like she’s repeating 12th grade for the tenth time? Realism is not the point.

Instead, think of “The Shards” as a View-Master reel designed to give Gen Z a glimpse at the lost age of excess they’re pining for. Cocaine and smoking are back, after all, along with outsize glamour. Bret may lament childhood’s demise, but if you had helicopter parents, these throes probably look less like trash than fire.

New episodes of “The Shards”  premiere Wednesdays on FX and Hulu.